An Essay on Theological Aesthetics in the Summa halensis

Abstract

Many vaunt the Summa halensis, conceived but not drafted entirely by Alexander of Hales, for its aesthetics. Few, however, read the text’s aesthetics theologically—as a teaching about God. This dissertation argues that Alexander’s aesthetics are deeply and inexorably theological. It takes as its keystone a passage in which Alexander identifies beauty with the “sacred order of the divine persons.” If beauty be a trinitarian structure instead of a divine attribute, then we should find beauty where we find Trinity. This dissertation trawls the massive Summa halensis for trinitarian beauty. And it finds beauty nearly everywhere. The result is a study of Alexander’s aesthetics that appreciates beauty beyond the constricted limits and categories of modern aesthetics.